Lawrence ‘Shabu’ Mwangi (Kenyan, born 1985)
Marry Me to Stay, 2013
Signed ‘Shabu 2013’
Mixed media on canvas
96.5 x 98 cm
KES 350,000 – 450,000
(US$) 2,800 – 3,600
Provenance: from the estate of Yony Waite

Mwangi has been a practising artist since 2003. His practice focuses on the effects of structural and historical violence, and different forms of marginalisation on the individual and collective psyche. Shabu’s paintings are considerations of societal and cultural fissures. His most recent work traces an ongoing personal journey of striving to understand the balance between the two things that drive us, love and pain, and how we react in different ways depending on which of the two is dominant. Shabu’s work has previously dealt with questions of collective suffering, and the effects that inequality, marginalisation, and other forms of structural violence have on communities.

Mwangi has participated in workshops and residency programs both locally and internationally. His work was most recently featured in Systems of Emptiness, a prelude to Documenta15, a group show with Wajukuu and The Sources of Our Seas, a solo show at Circle Art Gallery in 2021; East African Encounters, a Circle Art Gallery group exhibition at Cromwell Place in London in 2021, and Self Addressed, an exhibition of self-portraiture by artists from Africa and its diaspora curated by Kehinde Wiley for Deitch Projects LA. Other shows include: The Man with Two Shadows (2020), an online exhibition with Circle Art Gallery; Yawning for Power, 2019, a solo exhibition with Tilleard Projects; The Stateless, solo exhibition at Circle Art Gallery (2018); Freedom, Flight, Refuge, Circle Art Gallery (2017); Art Transposition Nairobi – Kampala – Hamburg, LKB Gallery, Hamburg; Pop-Up Africa, GAFRA, London (2017); Out of the Slum (2012), Essen, Germany. He has also participated in residencies in Kenya, Germany, and Italy. In 2022, Mwangi and fellow members of the Wajukuu Art Project participated in Documenta 15 in Kassel, Germany, and in 2023 he participated in the Mercosul Biennale in Brazil.